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R'LYEH REVIEW
Issue 024
copyright © 1984 by Robert M. Price
reprinted by
permission of Robert M. Price
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Conan the Destroyer
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Director . . . . . . . . . Richard Fleischer
Producer . . . . Raffaella De Laurentiis
Music . . . . . . . . . . . . Basil Poledouris
Photography . . . . . . . . . . Jack Cardiff
Screenplay . . . . . . . . . . Stanley Mann
Conan . . . . . . Arnold Schwarzenegger
Zula . . . . . . . . . . . . . . . . Grace Jones
Taramis . . . . . . . . . . . . Sarah Douglas |
(Reviewed by C. J.
Henderson)
Well, they did it.
Somehow, the same production company which made Conan the Barbarian,
possibly the worst Sword & Sorcery epic ever filmed, has turned out the new Conan
the Destroyer which, while not a great picture, is certainly a step
in the right direction.
There is little point in
rehashing the plot. It is standard fantasy fare --- neither inspired nor awful
--- just standard. There is also little point to making comparisons between the
two films; there was nothing, absolutely nothing, in the first film worth
remembering. Therefore, let us look at two things: What they did right, and what
they did wrong.
What They Did Right
The first thing they did
was hire a competent director, who subsequently brought in a competent
cinematographer. Fleischer and Cardiff, both long-time film veterans, who worked
on The Vikings together, meshed well here, doing a lot with a little.
Together, they got maximum usage out of the Mexican backgrounds, as well as the
film's fairly laughable monsters. Good performances were pulled from the likes
of Wilt Chamberlain and Olivia D'Abo, as well as the rest of the cast, giving
the film a solid, unified feel. Good locations were selected. Filming in Mexico
to save money, the production company managed to find a wide variety of
excellent sites, greatly enhancing many of the film's scenes simply by making
the picture look more "realistic".
A top-notch cast was
gathered. Although heavier with sports figures, singers and dancers than with
actors and actresses, the film's cast was wisely chosen. Not a bad performance
was presented.
The fights are worth
watching. Well directed, and often exciting, the swordplay is ten times better
this time around.
What They Did Wrong
The music was awful. No
running themes, no sense of style. The picture's score was a caterwauling
collection of old dinosaur movie sounds rather than a soundtrack. Although it
doesn't seem possible, Poledouris's work was even worse this time.
The monsters were
insanely bad. If not for the way the two major creatures were filmed, and the
way that film was edited, these scenes would have been painful to watch. As it
was, they were only silly.
Too much humor was used.
For some reason, the script was almost top-heavy with jokes. Some of these
worked, and almost all of them were acceptable in the film. The problem arises
with not the fact of humor being present, but its overabundance. After a while,
the film almost seems a comedy --- and that of course is a mistake.
There is much more which
could be said about the film, pro and con, but the point is made. This time
around, some effort was made to produce a more acceptable film, and that effort
seems to have paid off. Of course, the film is as close to being a
representation of R. E. Howard's immortal character as Cheeta is of the original
King Kong, but those are the breaks. With Conan the Destroyer, Conan has
graduated from confused, somewhat stupid-looking slave to self-assured,
hard-fighting king of thieves. In Destroyer, Conan looks better, moves
better, thinks better, and makes war better. It still isn't a great film, and it
certainly isn't what Howard fans the world over have been hoping for, but it is
an improvement.
And
so, I find I must say, in all sincerity, something I never dreamed I'd be
saying: Go ahead. See Conan the Destroyer. It's not that bad.
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